A Tribute
Lorraine Hunt Lieberson · 2011 · Compilation
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Tracklist
- Ariodante, HWV 33: Act I. Arioso “Quì d’amor” (Ariodante)
- Ariodante, HWV 33: Act I. Aria “Con l’ali di costanza” (Ariodante)
- Ariodante, HWV 33: Act II. Recitativo “E vivo ancora?” (Ariodante)
- Ariodante, HWV 33: Act II. Aria “Scherza infida!” (Ariodante)
- Ariodante, HWV 33: Act III. Aria “Dopo notte, atra e funesta” (Ariodante)
- Theodora, HWV 68: Act I. Air “Angels, ever bright and fair” (Theodora)
- Theodora, HWV 68: Act II. Recitative “O thou bright sun” (Theodora)
- Theodora, HWV 68: Act II. Air “With darkness deep” (Theodora)
- Theodora, HWV 68: Act II. Air “Oh! That I on wings could rise” (Theodora)
- Theodora, HWV 68: Act II. Duet “To thee, thou glorious son of worth” (Theodora, Didymus)
- Messiah, HWV 56: “Rejoice greatly, O daughter of Zion”
- Messiah, HWV 56: “But who may abide the day of His coming”
- Messiah, HWV 56: “He was despised and rejected of men”
- Messiah, HWV 56: “I know that my Redeemer liveth”
- Dido and Aeneas Z. 626: Act III. “Thy hand, Belinda” – “When I am laid in earth” (Dido)
- Clori, Tirsi e Fileno, HWV 96: Part I. Aria “Va col canto lusingando” (Clori)
- Clori, Tirsi e Fileno, HWV 96: Part II. Aria “Barbaro! Tu non credi” (Clori)
- Susanna, HWV 66: Act I. “On Joacim may every joy attend” (Susanna)
- Susanna, HWV 66: Act I. “Bending to the throne of glory” (Susanna)
- Susanna, HWV 66: Act II. “Lead me to some cool retreat” (Susanna)
- Susanna, HWV 66: Act II. “Crystal streams in murmurs flowing” (Susanna)
- Susanna, HWV 66: Act II. “If guiltless blood be your intent” (Susanna)
- Susanna, HWV 66: Act III. “Guilt trembling spoke my doom” (Susanna)
- Radamisto, HWV 12: Act III. Recitativo “Oh Dio!” (Zenobia)
- Radamisto, HWV 12: Act III. Aria “Qual nave smarrita” (Zenobia)
- Ottone, HWV 15: Act II. Recitativo “Ben a ragion”
- Ottone, HWV 15: Act II. Aria “Vieni, o figlio”
- Giulio Cesare, HWV 17: Act I. Recitativo “Vani sono i lamenti”
- Giulio Cesare, HWV 17: Act I. Aria “Svegliatevi nel core”
- Arianna in Creta, HWV 32: Act II. Aria “Qual leon“
- The Notebook of Anna Magdalena Bach (1725): Aria “Bist du bei mir”, BWV 508
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