Pierre Boulez und das Klavier
Pierre Boulez; Dimitri Vassilakis · 2012 · Album
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Tracklist
- Douze Notations: Fantasque, Modéré
- Douze Notations: Très vif
- Douze Notations: Assez lent
- Douze Notations: Rythmique
- Douze Notations: Doux et improvisé
- Douze Notations: Rapide
- Douze Notations: Hiératique
- Douze Notations: Modéré jusqu’à très vif
- Douze Notations: Lointain, Calme
- Douze Notations: Mécanique et très sec
- Douze Notations: Scintillant
- Douze Notations: Lent, Puissant et âpre
- Première Sonate: I. Lent
- Première Sonate: II. Assez large, Rapide
- Deuxième Sonate: I. Extrêmement rapide
- Deuxième Sonate: II. Lent
- Deuxième Sonate: III. Modéré, presque vif
- Deuxième Sonate: IV. Très librement, avec de brusques oppositions de mouvement et de nuances
- Troisième Sonate: Formant 1: Sigle (unfinished: excerpt from Antiphonie)
- Troisième Sonate: Formant 2: Trope: Commentaire
- Troisième Sonate: Formant 2: Trope: Glose
- Troisième Sonate: Formant 2: Trope: Texte
- Troisième Sonate: Formant 2: Trope: Parenthèse
- Troisième Sonate: Formant 3: Constellation: Points I
- Troisième Sonate: Formant 3: Constellation: Blocs I
- Troisième Sonate: Formant 3: Constellation: Points II
- Troisième Sonate: Formant 3: Constellation: Blocs II
- Troisième Sonate: Formant 3: Constellation: Points III
- Troisième Sonate: Formant 3: Constellation: Mélange
- Incises
- Une page d’éphéméride
- Mirjam Wiesemann in Conversation with Pierre Boulez: Un univers sonore différent – About IRCAM
- Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: Still the Domain of Men?
- Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: “Inventing the Unknown”
- Mirjam Wiesemann in Conversation with Pierre Boulez: Favourite Instruments
- Mirjam Wiesemann in Conversation with Pierre Boulez: Everyday Noise Is Just That – Noise
- Mirjam Wiesemann in Conversation with Pierre Boulez: Freedom of Expression in Serial Music
- Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Sense of Humour: A Passionate Provocateur
- Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez the Maestro – Boulez the Composer
- Mirjam Wiesemann in Conversation with Pierre Boulez: On Collaborating with Frank Zappa
- Mirjam Wiesemann in Conversation with Pierre Boulez: At the Age of 30, One Has Strong Reactions
- Mirjam Wiesemann in Conversation with Pierre Boulez: Control and Chance – Pierre Boulez and John Cage
- Mirjam Wiesemann in Conversation with Pierre Boulez: I Cherish Talent Above All
- Mirjam Wiesemann in Conversation with Pierre Boulez: One Grows Increasingly Isolated
- Mirjam Wiesemann in Conversation with Pierre Boulez: René Char – A Solitary Worker
- Mirjam Wiesemann in Conversation with Pierre Boulez: Antonin Artaud – The All-Encompassing Spectacle
- Mirjam Wiesemann in Conversation with Pierre Boulez: Jean-Louis Barrault, Antonin Artaud and the Theatre of Magic
- Mirjam Wiesemann in Conversation with Pierre Boulez: Musical Vibrations that the Earth Feels
- Mirjam Wiesemann in Conversation with Pierre Boulez: Sometimes One Is Rebelling against the Universe
- Mirjam Wiesemann in Conversation with Pierre Boulez: I Have Kept My Balance
- Mirjam Wiesemann in Conversation with Pierre Boulez: With Age, One Goes Deeper and Deeper into Himself
- Mirjam Wiesemann in Conversation with Pierre Boulez: Early Sketches for Piano: To Be Studied, Not Played
- Mirjam Wiesemann in Conversation with Pierre Boulez: Music Is My Only Talent
- Mirjam Wiesemann in Conversation with Pierre Boulez: On the Piano and His Own Music
- Mirjam Wiesemann in Conversation with Pierre Boulez: My Family Was Not Talented Musically
- Mirjam Wiesemann in Conversation with Pierre Boulez: Music Studies Instead of the École polytechnique
- Mirjam Wiesemann in Conversation with Pierre Boulez: During the War
- Mirjam Wiesemann in Conversation with Pierre Boulez: Jesuit School and Choir
- Mirjam Wiesemann in Conversation with Pierre Boulez: Uninteresting Professors at the Conservatoire
- Mirjam Wiesemann in Conversation with Pierre Boulez: Olivier Messiaen: He Was Inventive
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